All Ah We is One: Caribbean Carnival Costume
Caribbean Carnivals have been taking place around the UK since 1959. These joyous celebrations of culture and community began as acts of resistance in the face of enslavement - a defiant stand from communities who refused to lose who they were and where they came from. Drawing from this rich and radical history, Aisling Serrant explores Carnival through one of its most vibrant and unmissable features: costume. First turned to by former slaves in the Caribbean as an act of reclamation and quiet resistance, with roots in West African and European masquerade alike, the colourful costumes of Carnival weekend remain a vital mode of self-expression, protest, and camaraderie.
80 pages, 14 x 20 cm, softcover, Common Threads Press (London).
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All Ah We is One: Caribbean Carnival Costume
All Ah We is One: Caribbean Carnival Costume
Caribbean Carnivals have been taking place around the UK since 1959. These joyous celebrations of culture and community began as acts of resistance in the face of enslavement - a defiant stand from communities who refused to lose who they were and where they came from. Drawing from this rich and radical history, Aisling Serrant explores Carnival through one of its most vibrant and unmissable features: costume. First turned to by former slaves in the Caribbean as an act of reclamation and quiet resistance, with roots in West African and European masquerade alike, the colourful costumes of Carnival weekend remain a vital mode of self-expression, protest, and camaraderie.
80 pages, 14 x 20 cm, softcover, Common Threads Press (London).
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Description
Caribbean Carnivals have been taking place around the UK since 1959. These joyous celebrations of culture and community began as acts of resistance in the face of enslavement - a defiant stand from communities who refused to lose who they were and where they came from. Drawing from this rich and radical history, Aisling Serrant explores Carnival through one of its most vibrant and unmissable features: costume. First turned to by former slaves in the Caribbean as an act of reclamation and quiet resistance, with roots in West African and European masquerade alike, the colourful costumes of Carnival weekend remain a vital mode of self-expression, protest, and camaraderie.
80 pages, 14 x 20 cm, softcover, Common Threads Press (London).
