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Jenny Kaellman - The Rectangle's Sharp Stare
As a starting point for this new body of work, Swedish photographer Jenny KƤllman initiated an exploration of prison spaces from an immediately physical vantage point. The title of this series, āLoungeā, is an ironic take on the indefinite time and shared social environment of the prison as an institution, and a number of the images were made in a centre for young offenders. Working not only in still photography, but also with sound, music, and the moving image, KƤllman opens these usually closed spaces up to a mode of representation that diverges from strictly documentary, applying abstraction as a way to describe the complexities inherent in confinement. Published byĀ Art & Theory (Stockholm).Ā
Ā
110 pages, 19 x 25 cm, hardback, Art & Theory (Stockholm).Ā
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Jenny Kaellman - The Rectangle's Sharp Stare
Jenny Kaellman - The Rectangle's Sharp Stare
As a starting point for this new body of work, Swedish photographer Jenny KƤllman initiated an exploration of prison spaces from an immediately physical vantage point. The title of this series, āLoungeā, is an ironic take on the indefinite time and shared social environment of the prison as an institution, and a number of the images were made in a centre for young offenders. Working not only in still photography, but also with sound, music, and the moving image, KƤllman opens these usually closed spaces up to a mode of representation that diverges from strictly documentary, applying abstraction as a way to describe the complexities inherent in confinement. Published byĀ Art & Theory (Stockholm).Ā
Ā
110 pages, 19 x 25 cm, hardback, Art & Theory (Stockholm).Ā
$117.70
Jenny Kaellman - The Rectangle's Sharp Stareā
$117.70
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
As a starting point for this new body of work, Swedish photographer Jenny KƤllman initiated an exploration of prison spaces from an immediately physical vantage point. The title of this series, āLoungeā, is an ironic take on the indefinite time and shared social environment of the prison as an institution, and a number of the images were made in a centre for young offenders. Working not only in still photography, but also with sound, music, and the moving image, KƤllman opens these usually closed spaces up to a mode of representation that diverges from strictly documentary, applying abstraction as a way to describe the complexities inherent in confinement. Published byĀ Art & Theory (Stockholm).Ā
Ā
110 pages, 19 x 25 cm, hardback, Art & Theory (Stockholm).Ā
